Stricken with Love, Freder goes into the Workers’ city to follow her and sees for himself the terrible conditions in where the workers work. Frightened, he goes to his father, the master of the city Joh Frederson (Alfred Abel), in the New Tower of Babel that dominates the center of Metropolis. Joh Frederson explains that even though the workers’ hands built the city, they belong in the depths. When Freder leaves, Joh Frederson hires a spy known as the Thin Man (Fritz Rasp) to spy on his son.
Even without sound, a movie can be phenomenal and this movie is living proof. It’s like the oldest movie I’ve ever seen and I can’t recommend it enough. With its effects, storyline, and overall presentation, “Metropolis” is a movie that is truly ahead of its time.